I'm considering letting my gym membership expire this month as it's nice outside once again and I should be out running, cycling and what have you instead of sweating my ass off indoors.
Mostly though, because I just can't afford it.
Anyway, while I chew this dilemma over I'm going to hit the gym up this morning on what might be my last day and, well, we'll just see. My soundtrack this morning for my potentially last weights routine is this Undercover Mix Tape album by Orgone.
One of Southern California's premiere funk and soul outfits, Orgōne has been spreading its cosmic energy throughout the universe for nearly two decades. Fronted by vocalist Adryon de León, who plugs the soul into the ensemble, Orgōne is known for its unique mélange of gritty old school '60s and '70s music infused with contemporary influences drawn from the multicultural milieu of L.A. These influences were perfectly expressed on their last album, Beyond the Sun (2015). While recording new tracks in the studio, the band hit upon the idea of producing a cover album dedicated to a few of the artists "who paved the road for us." The result is Undercover Mixtape, offering 13 classics paying homage to artists from Stax and Motown, as well as legendary jazz, funk and rock musicians.
The album opens with an outstanding rendition of the jazz-funk instrumental The Black Five, originally released by Roy Ayers Ubiquity in 1974. The Orgōne crew swaps the string section and Ayers signature vibes for layered keyboards and guitar, providing an updated sound. Switching over to guitar-driven hard rock on Cynthy-Ruth, the band is led by Tarin Ector (The Solutionagenics), whose gritty vocals are well-suited for this track from the 1970 debut album by Detroit's Black Merda.
Adryon de León is brave enough to tackle Think, Aretha Franklin's iconic 1968 feminist anthem, and absolutely nails it with fantastic backing from the band. She also shines on several other soul-drenched tracks: Betty Wright's Let Me Be Your Lovemaker which also showcases the horn section; the Gladys Knight tearjerker Neither One of Us (Wants to Be the First to Say Goodbye); and Gwen McCrae's All This Love That I'm Givin'. Guest vocalist Kelly Finnigan is featured on Nobody's Fault but Mine, adhering closely to the Otis Redding version of the song.
If you want funk and nothing but the funk, you won't be disappointed with the remaining tracks on the album. The band seriously grooves on two back-to-back instrumentals, deftly channeling Booker T's organ licks on Melting Pot, then getting down on an extended version of Cameo's It's Serious. The Meters, clearly one of the Orgōne's favorite groups, are covered on It Ain't No Use, once again featuring the amazing Adryon de León, and Looka Py Py, on which the band navigates the complex polyrhythms and deep bass grooves with precision. Last but certainly not least, are two tracks from the funkiest funk band on the planet. Parliament's 1971 classic, The Breakdown, features Mixmaster Wolf, who normally fronts the eight piece L.A. funk band Breakestra. The album closes with another P-funk classic, Cosmic Slop, with Tarin Ector once again taking over the helm on this haunting tale about urban poverty that still resonates today.
Undercover Mixtape offers an edifying excursion through soul and funk classics of the '60s and '70s, performed by a band steeped in the grooves and vocalists capable of covering the era's most iconic singers. This might be Orgōne's side project, but they deserve a victory lap for keeping the funk funky and the soul soulful in the 21st century.
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