Ghanaian singer Brenny has released her latest single, “Remedy,” an R&B-Afrobeats record that explores the emotional toll of loving someone who keeps you guessing. The song sits with the discomfort of uncertainty that comes from being unsure w… Read on blog or Reader Music Arena Gh Read on blog or Reader Brenny Explores Love, Longing, And The Search For Clarity On New Single “Remedy” By Blogger In Cap on June 24, 2026 Ghanaian singer Brenny has released her latest single, “Remedy,” an R&B-Afrobeats record that explores the emotional toll of loving someone who keeps you guessing. The song sits with the discomfort of uncertainty that comes from being unsure where you stand with someone, and from the overthinking that follows. Across the track, Brenny sings into that space, searching for peace amid the chaos of an unresolved connection. What distinguishes “Remedy” is its honesty. Brenny leans into vulnerability rather than away from it, giving voice to the quiet exhaustion of waiting on someone, and to the hope that clarity and eventually healing will come. The single speaks to anyone caught in that familiar in-between: not quite ready to let go, not quite able to hold on either. Listen to “Remedy” now on all streaming platforms.

Music Arena Gh © 2026. Unsubscribe or manage your email subscriptions. Get the Jetpack app Subscribe, bookmark, and get real‑time notifications - all from one app! Automattic, Inc. 60 29th St. #343, San Francisco, CA 94110

Ghanaians everywhere are still buzzing from the Black Stars' stoppage-time winner over Panama in their World Cup opener, and gospel-soul artist Ara Ẹni has just released her new single "For My Matter" (produced by Daniels Andrew, known as Tbeatz). "… Read on blog or Reader Music Arena Gh Read on blog or Reader Ara Ẹni Releases Afrobeats Gospel Single “For My Matter” By Blogger In Cap on June 24, 2026 Ghanaians everywhere are still buzzing from the Black Stars' stoppage-time winner over Panama in their World Cup opener, and gospel-soul artist Ara Ẹni has just released her new single "For My Matter" (produced by Daniels Andrew, known as Tbeatz). "For My Matter" is an uplifting Afrobeats gospel song built on a message of faith: no matter what you are facing, God can put His hand on your matter and turn it around for your good. It's a testimony Ara Ẹni has lived. "For My Matter" is riding that victorious overcomer's spirit, for anyone still trying, still showing up, who needs a reason to keep believing. The road ahead: Ghana faces England today in Boston and Croatia on June 27 in Philadelphia, a path that could send the Black Stars into the knockout rounds for the first time since 2010. Pass the Ball of Hope (#PassTheBall): Ara Ẹni's first official pass of the Ball went out before kickoff, joining the wave of Ghanaians across social media sending the Black Stars encouragement ahead of the match. The campaign invites fans to post a short video — a breakthrough, a word of encouragement, or simply a praise break or dance to "For My Matter" — then tag someone to pass it forward. No words required, just gratitude. Any win counts: a new job, a graduation, even making it through a hard week. "I passed the ball to the Black Stars before that match even kicked off," said Ara Ẹni. "I wasn't alone — so many of us, back home and in the diaspora, were sending them strength before we knew how it would end. We're so proud of them for sneaking in that goal and securing the three points. Breakthrough can come when it looks impossible, and it's never wrong to dance in advance. God can turn the point of breakdown into a breakthrough! Right now all eyes are on Ghana vs England tonight. We'll have them in prayer and send them all our love and support. Osey yie to the Black Stars!" Streaming and campaign details: "For My Matter" is out now. Stream and share it using #ForMyMatter, and join the Pass the Ball of Hope movement using #PassTheBall here About Ara Ẹni Ara Ẹni (Olufunmilola Serwa Babalola) is a Ghanaian-Nigerian-American singer-songwriter and senior software engineer whose music is rooted in R&B and contemporary worship, now expanding into Afrobeats with her latest single. Born in the United States to Ghanaian and Nigerian parents, she was educated in Ghana at Tema Parents' Association School, Roman Ridge School and Wesley Girls' High School in Cape Coast, before earning a Bachelor's degree in Computer Science from the Rochester Institute of Technology, USA. Her catalogue includes "I Just Wanna Worship," "To The Girl," and "It Was You," all produced by Daniels Andrew (Tbeatz). Follow @araenimusic for updates.

Music Arena Gh © 2026. Unsubscribe or manage your email subscriptions. Get the Jetpack app Subscribe, bookmark, and get real‑time notifications - all from one app! Automattic, Inc. 60 29th St. #343, San Francisco, CA 94110

We catch the South Wales-raised sibling band after their storming set at our Great Escape stage. Photos: Hazel Blacher | Words: Lloyd Bolton Last month at The Great Escape, MORN…

Hard Of Hearing Magazine Read on blog or Reader ‘It felt like we were all so committed from the very beginning’: MORN Great Escape Q&A. By Hard of Hearing on June 24, 2026 We catch the South Wales-raised sibling band after their storming set at our Great Escape stage. Photos: Hazel Blacher | Words: Lloyd Bolton Last month at The Great Escape, MORN kicked off proceedings at our stage on the Thursday night with the electric energy which defines their shows. Their music is packed with rhythmic punch and tightly wound guitar licks, over which acerbic lyrics are delivered with prophetic conviction. The South Wales-raised and now London-based four piece, comprised of two sets of siblings, caught our attention last year with the release of debut single ‘Modern Man’ in collaboration with Speedy Wunderground. After a busy 2025 playing shows, they spent the start of this year writing and refining their sound. Their re-emergence with the double single ‘The Standard Model / I Watched You As Your Mind Slipped Far (Away from Me’ and a recent string of live shows a band hungry to produce the best work they possibly can and sell it with conviction night after night on bigger and bigger stages. The morning after their set for us at DUST, we caught Mae (Vocals, Bass), Rob (Vocals, Guitar) and Noah (Drums) for a chat (Ollie (Vocals, Guitar) couldn’t make it). First question, what has been going on behind the scenes since the release of ‘Modern Man’ last May? Mae: Definitely a lot of writing. But that’s changing now, we’ve got some more shows coming up. Rob: ‘Modern Man’ enabled us to go and play more shows. At that point we were quite happy with our show and we took that set played loads, which was a great experience. We did that really for the rest of 2025 and then we were like, alright then, we’ve gotta write some new tunes. And it’s nice to road test them now, we’ve been playing them for the first time over the last month. What has changed in the way you have approached making new material? Noah: A lot of the songs we’ve written in the last three months have been very different compared to the set that we had last year. Our sets last year were intense and hard-hitting and our plan was to take that vibe and refine it, think about structures of songs and dynamics. I feel like we’ve matured sonically quite a lot… Rob: … like not doing too much. I did love those songs, but a lot of the songs we wrote when we were sixteen, seventeen. With all the experience that we’ve had so far, it’s been good to take that and fulfil what we feel we’ve always been trying to sound like, which we’re getting closer to now. Who was your favourite artist when you were ten? Rob: Loved a bit of Lady Gaga back then. Noah: We used to have these little iPod shuffles that had, like,  Ed Sheeran’s first album, Mr. Scruff – do you remember Mr. Scruff? That was great stuff. Adele, Led Zeppelin, and also AC/DC ‘Back in Black’. But which one would I go for? Probably Ed Sheeran, first album. Mae: I remember enjoying The Rolling Stones. Rob: Ooh, The Rolling Stones were a late one for me… Noah: Whenever we were in the car we’d only listen to the Scissor Sisters. Rob Mae Long or short – song length and album length. Mae: Short and sweet is really nice. Noah: I like longform projects, definitely a decent size album. Rob: I think I press ‘play’ on albums that are a bit shorter. But definitely album over EP. I remember someone saying, ‘No one has a favourite EP’. Is this a reveal that we shouldn’t be expecting a MORN EP then…? Rob: We’ll see what happens. Nowadays it always makes sense to do an EP so there’s more people to listen to your album when it comes out.  But now we’ve written loads of songs, we’re like, arghhh, this is just an album isn’t it? But we’ll see what happens. How does the sibling dynamic work  in the band? What is the best and worst thing about it? Mae: The best thing about it is that you skip all the layers of friendship you have to go through when you’ve just met someone in a band. If you don’t like something they’re doing you can just tell them straight up. And then maybe the worst thing is… Rob: …also that!? I think that’s the main thing. I’m not sure if this is a sibling thing, but it felt like we were all so committed from the very beginning. And there was no reason to be, but, like, we just had so much fun, we just knew this is what we wanna do. I’d never been in a band before, Ollie had never been in a band before. May had been in a few bands in college, Noah played some drums in another band at home. But it was like… ‘alright then!’ Noah: Yeah we played two shows together and just suddenly became so invested, rehearsing, spamming emails to people to get our first gigs. It’s so fun having that experience with someone that you’ve grown up with your whole life and being equally invested. Rob: A better answer: The best and the worst thing is that everything always has to be equal and fair and shared. But then it is good because it’s all really democratic, there’s not, like, a band leader, we’re all really on the same page. Noah: But sometimes we do end up going round in circles, like, we’ve got to try everyone’s options. Which I’m glad we do, but sometimes we just go round and round when actually the first thing is the best thing. But I don’t think that’s necessarily a bad thing. And finally, horses or cows? Noah: Me and Mae grew up on a farm back in Wales, which is a cattle farm. We do have horses as well but sometimes we get on, sometimes we don’t. Once when I was a kid I got chased by one of the horses through a field and it was terrifying. Mae: I’ve got a good relationship with our horses. Rob: One of my friends described our music as a horse galloping through fields, with the mane flowing. I quite like that image. Hard Of Hearing Magazine © 2026. Unsubscribe or manage your email subscriptions. Get the Jetpack app Subscribe, bookmark, and get real-time notifications – all from one app! Automattic, Inc. 60 29th St. #343, San Francisco, CA 94110