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Fernando posted: "Alan Jackson – Someday LyricsShe Looked Me In The Eye And Said, "it's Over I Can't Take This Heartache Anymore." She Said, "don't Tell Me Lies And Try To Please Me I've Heard It All So Many Times Before. And"
She Looked Me In The Eye And Said, "it's Over I Can't Take This Heartache Anymore." She Said, "don't Tell Me Lies And Try To Please Me I've Heard It All So Many Times Before. And I Took Her By The Arm And Said, "don't Leave Me There's Nothin' In This World I Wouldn't Do...
aisasami posted: " American Hip-Hop/R&B artist Kyle Trippy recently talked about the release of his recent single "No Attachment" as well as his musical inspiration and journey. Born and raised in Detroit, Michigan, Kyle started experimenting with production on his lap"
American Hip-Hop/R&B artist Kyle Trippy recently talked about the release of his recent single "No Attachment" as well as his musical inspiration and journey. Born and raised in Detroit, Michigan, Kyle started experimenting with production on his laptop when he was 16 years old. He's always been into technology and audio, so the intricacy of making music was always something that was ingrained in him. At 17 years old, he built his own studio from the ground up, working with and creating beats for other artists.
Find out what inspired Kyle to write "No Attachment" and what was production like for this song. Also, make sure to check out the song below! et me know what you think about the comment!
First of all, please introduce yourself!
Well, I'm Kyle Cullinan. I go by the stage name Kyle Trippy, and I make music.
How did you get into music? What has that journey been?
I've been into music for a really long time but got into making music honestly just from watching others do it. I saw the process of production and mixing and I really enjoyed it so I took it on myself. The journey's been interesting, I've met a lot of gifted people and seen people I know to grow and finally get to say they do this as a career path.
What artists and/or musical genres influence you?
Definitely R&B and Hip-hop obviously, but funk is for sure up there too. Artist influence for me comes from singers like Alicia Keys and George Clinton. I'm sure people don't hear that in the music but I sure do.
As 2021 is winding down, what is something you wanted to be challenged in 2022?
Shows for sure, and bettering my craft and abilities. I wanna learn a lot of instruments in 2022, it's a weird goal of mine.
Let's talk about "No Attachment". What is it about?
On the surface, No Attachment is a moment between 2 lost people that I'm sure everyone has seen before, but it's obviously a little deeper than that. I plan on releasing a project that further expands on this idea.
It's about a woman who only likes to be chased rather than tied to an attachment that comes with feelings and love. I pictured a chase of some sort, so I wanted it to sound like that. Like you're running from something. In terms of the production, I do it all myself, none of it is outsourced. From the music to the visuals and cover art, I do it all myself and I try to put a good little spin on it for anyone who listens or watches. No other hands or eyes ever touch it.
What inspired you to write it?
I thought it'd be easy to relate to, and the setting and topic choice was immediately where my mind went after hearing the beat.
How was the single's production?
I couldn't tell you exactly, I made that song around a year ago. But I do know it was late like 3 AM and I got too excited when I heard that beat. I had to do something with it.
What was the thing you wanted to tell in "No Attachment" either musically or lyrically?
Anxiety and lust. I wanted it to feel quick and anxious in a way. Like you were running from something.
What do you want listeners to listen for in your music?
Depth and layering. I love playing with instrumentals and my vocals so people who tell me they hear the little things in the instrumentation or the drums get me geeked.
Any future plans?
Yes, I plan on releasing another video to tie together this little visual story I am telling. And I then plan to release a project.
Martin Donaldson Daisy posted: "New Zealand Star Estella Dawn Presents 'Vixen' Estella Dawn is a New Zealand conceived, US-based musician, artist, multi-instrumentalist and producer. Estella sings with the melodic order, nuance and reaches that traverses sorts. She's been contrasted wi"
Estella Dawn is a New Zealand conceived, US-based musician, artist, multi-instrumentalist and producer. Estella sings with the melodic order, nuance and reaches that traverses sorts. She's been contrasted with any semblance of, Adele, Billie Eilish, Pink and Hayley Williams to give some examples. These very much created tunes contain different layers, both vocally and musically, inconspicuous and calming when required and sharp and coarse when wanted.
New Zealand Star Estella Dawn Presents 'Vixen'
Estella Dawn has a remark, and she does it through music. Her tunes are regularly close to home and social investigations of life. 2020 saw her refine her abilities to create and characterize her own style, just as explore the general business of music. It was a productive year for Estella, she delivered 10 tracks, another single at regular intervals, fabricating a consistently developing after that are resounding with her personal, no need to go there again, and point of view. With this development, there have been numerous highs, her tune "I Dare You" graphed on the media base Radio Top 40 diagram, she's been met by and had tunes added to many radio broadcasts, her melodies have likewise been remembered for some large Spotify playlists and she's had numerous brilliant audits by worldwide music bloggers. Her most recent is a song of praise to feel good about yourself, paying little heed to your sexuality, your cravings, your weight or your body shape.
She says "I believe there's a great deal of strain on individuals to introduce themselves in a legitimate, delicate and socially OK way and in view of this individuals frequently want to conceal their sexual variety and wants. Now and then just have a sense of security to genuinely articulate their thoughts in closeted or underground conditions, in any event, when there's a danger of being "found" and disgraced. For my purposes, being decisive when you're a lady is frequently confounded as being bossy or obnoxious and discussing sex or flaunting your body makes the way for having your ethics censured."
"I composed Vixen as a way of shedding my own apprehensions around my body and my sexuality. Individuals sexualize me constantly, it's my body so for what reason wouldn't I be able to do likewise? I've gone to where I presently don't have any desire to refine myself into short of what I am simply to cause others to feel greater. However long you're not harming anybody there's not a good excuse to be embarrassed about who you need to be. I believe feel engaged and positive about your skin, show beneficial things for yourself, convey what you want and need, consistently keep up with individual limits, have safe sex, it's your body and your satisfaction. Life is excessively short not to take what you need from it." – She added.
aisasami posted: " Northern England Spoken Word artist Jodie Langford recently released her electro-pop groove "I Miss It". Describing herself as unapologetically Northern, passionate wordsmith Jodie Langford began writing and performing as part of Arts Celebrating Equalit"
Northern England Spoken Word artist Jodie Langford recently released her electro-pop groove "I Miss It". Describing herself as unapologetically Northern, passionate wordsmith Jodie Langford began writing and performing as part of Arts Celebrating Equality at The Warren Youth Centre when she was sixteen and has since gone on to perform at various events. In recent years Jodie has risen to become one of the most distinctive voices in Hull's burgeoning spoken word scene.
The artist recently talked to ai love music about her inspiration, what has her journey been like, and the behind-the-scenes on "I Miss It". Find out what Jodie expresses in her latest releases that she longs for. Make sure to also read about how was it to work with Hull's producer/remix team Endoflevelbaddie. While reading, make sure to check out "I Miss It" down below and let me know what you think in the comments!
First of all, please introduce yourself!
Hi! My name is Jodie Langford, I'm a 21-year-old Spoken Word Artist from Hull and I've been writing for around 5 years.
How did you get into music? What has that journey been like?
I've been part of the music scene since I was a teenager, I started volunteering at local festivals and gigs via The Warren Youth Project when I was 16. That then moved into me compering at those events and introducing bands on stage, to later performing spoken word pieces in between their sets.
Scott (Endoflevelbaddie) contacted me about working on a track together in 2020 and it all developed from there. I'm not musically talented in the slightest, but I love words and so it was and still is a very new thing to me, and what an adventure it is.
What musical genres and artists influence you and your music?
I would say that Kae Tempest, Leonard Cohen, and The Streets are some of my biggest influences lyrically and musically. Although, if I want a good cry I usually listen to some Keaton Henson as there is beauty in both his lyrics and music that just hits my soul in a different way.
When you write your songs, what is the most important thing that crafts your words?
I find often that when writing, the words appear from both big and tiny moments in my life. Whether it be where I went for coffee, the jacket I see hanging on the park gates, or the injustice myself and people around me encounter. I'm just a thief of my surroundings.
Let's talk about your latest release "I Miss It". What is it about?
"I Miss It" is basically a vent from somebody who has been trapped inside their own four walls for around a year and just wants a drink and a boogie. It's about everything I miss about the nightlife of socialising with close friends and strangers.
Both I and Scott we're just having a chat about what we've missed the most during the lockdown. As I work in a call centre, my favourite part of the week is the weekend where I can just roam free and not be hunched over a computer repeating the same few sentences every few minutes.
So when I was working in the office and then eventually from my bedroom during lockdown I was reminiscing about all of that and how I'd give anything just to have one of those weekends back.
What was the production of the song like?
If you've ever listened to an Endoflevelbaddie track or seen that stuff live, you know that it's going to be the vibe. He was the mastermind of the music and production and brought my words to life through his wizardry.
How was it like working with ENDOFLEVELBADDIE? Was there any special meaning behind the house-infused indie groove?
Endoflevelbaddie never fails to disappoint, I had a blast working on this track with him and he truly captured the club and party essence of the lyrics / spoken word and gave it all that power.
I suppose there isn't really any special meaning behind the track, other than to state that we've all embarrassed ourselves on a night out and you're not alone. But that's part of the fun, is it not?
What do you want listeners to listen for in your music?
I hope that listeners find relatable qualities in my music and that they realise I'm just a northern lass saying it how it is- no funny business!
Any future plans?
I've got plenty more tracks in the works which I can't wait to release. But for now, I'm focused on writing and speaking till I can't bear the sight of the alphabet.
Make sure to check out Jodie Langford at the following:
aisasami posted: " Toledo-based Americana/Folk artist Ben Stalets recently talked to ai love music over email about his inspirations, his musical journey, and the release of the album Everybody's Laughing. Ben found influences from the 60s and 70s musical influences such a"
Toledo-based Americana/Folk artist Ben Stalets recently talked to ai love music over email about his inspirations, his musical journey, and the release of the album Everybody's Laughing. Ben found influences from the 60s and 70s musical influences such as John Prine, Leonard Cohen, Warren Zevon, Todd Snider, Willie Nelson, and even Prince. While creating his album. It is also an album where the artist expresses worldly and personal thorns in his sides. "Thorns of love, acceptance, and participation are sometimes seen as sticky and bloody but can always be worked out through communication."
Find out below why Ben gave the album the theme of "Collective suffering allows us to collectively suffer less". Also, check out what was the production like. While reading, listen to Ben's newest album and let me know what you think in the comments!
First of all, please introduce yourself!
I'm Ben Stalets, a sweet and loving Leo, a singer-songwriter, and a local celebrity.
How did you get into music? What has that journey been like?
I got into music about 12 years ago when I saw Townes Van Zandt playing Waitin' Round To Die and I thought that I'd rather play music instead of waiting around to die.
My Journey so far has had a lot of highs and lows. But its music so lows are just annoying and stressful, it's not like real life. It's so much better. I've opened shows that were sold out, and I've played to completely empty rooms. I don't think I'd be doing it if I didn't love to gamble.
What musical genres and/or artists influence you?
That changes week to week. Right now I'm listening to a lot of bluegrass. So, Tony Rice and Norman Blake are two people I've listened to more than my fair share of. I like Allison Russel's new album so much. Might be the best one of the year. Todd Snider is my favorite songwriter. I've been listening to Marvin Gaye here and there. Yeah, it's all over the place I think.
How has 2021 been for you?
2021 has been great. I've learned a lot and I've done a lot. There's a lot of shit that my loved ones and I have gone through but I feel like with the release of this album and having gotten a vaccine, along with my family's health, I'm pretty grateful. That's my story and I'm sticking to it.
Let's talk about your recent release, the album Everybody's Laughing. Is there a central theme to it?
There's definitely a theme, but I didn't write it as a concept album. It was very organic. The theme is, we're all suffering, and in suffering, we are not alone. Maybe that'll help some people feel a little better. Sometimes it helps me.
What melodies, keywords, and/or themes inspired you to write this album?
I was really inspired to write an album that sounds like me. I wanted my words to not simply be "my words" but to sound like something I'd say in everyday life. My humor, my sorrow, my girlfriend, my friends. It's all in there.]
What was the production like?
Bunky (Hunt, Whistlepig) was a pleasure to work with. He really knew how to reign me in when I was trying to throw too much shit at the wall. He has an ear for a classic production style, as well. Which is really helpful when you're floating out in the ether.
You sent me a song entitled "Chicken Flew the Coop". What is that about? What inspired you to write it? And will you release it?
That song is actually on my new album, Everybody's Laughing. It's the second song. It's the only song on the album that isn't autobiographical. Assuming the role of a preacher on this album sort of inspired me to write about a less than favorable experience in the church. I didn't have to try that hard to imagine.
What do you want listeners to listen for in your music?
The words, the melodies. It's all cohesive and it's me for better and worse!
Tell us what you have planned for 2022.
2022 I hope to have a booking agent and tour. I hope a lot more people are vaccinated and different strains aren't as much of a problem and touring seems safe. There's a lot of people I want to meet and play music for.
Make sure to check out Ben Stalets at the following:
WordPress.com
